Richard Wagner, Wolfgang Windgassen, Josef Greindl, Hans Hotter, Gré Brouwenstijn, Astrid Varnay, Georgine Von Milinkovic, Bayreuth Festival Orchestra, Hans Knappertsbusch's 'Die Walkure: Act III Scene 1: Hojotoho! Hojotoho! (The Valkyries), "Ride of the Valkyries" (Walkuren)' came out on May 2, 2012. Since Die Walkure: Act III Scene 1: Hojotoho! Hojotoho! (The Valkyries), "Ride of the Valkyries" (Walkuren) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Richard Wagner, Hans Knappertsbusch's "Hans Knappertbusch: Richard Wagner's Der Ring Des Nibelungen" album is number 2 out of 205. On top of that, United States appears to be the country where this track was created. In terms of popularity, Die Walkure: Act III Scene 1: Hojotoho! Hojotoho! (The Valkyries), "Ride of the Valkyries" (Walkuren) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Walkure: Act III Scene 1: Hojotoho! Hojotoho! (The Valkyries), "Ride of the Valkyries" (Walkuren) by Richard Wagner, Wolfgang Windgassen, Josef Greindl, Hans Hotter, Gré Brouwenstijn, Astrid Varnay, Georgine Von Milinkovic, Bayreuth Festival Orchestra, Hans Knappertsbusch to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: I. Prelude | Georges Bizet, Slovak Philharmonic, Anthony Bramall | B♭ Major | 1 | 6B | 95 BPM | ||
Symphony No. 3 in D Minor, Part II: IV. Sehr langsam - Misterioso | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 82 BPM | ||
Requiem: XII. Hostias | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Karen Cargill, London Symphony Orchestra, Christine Brewer, John Relyea | F Major | 0 | 7B | 85 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm | F Major | 1 | 7B | 120 BPM | ||
Le Villi: La Tregenda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | C Minor | 3 | 5A | 123 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 68 BPM | ||
Tristan und Isolde, WWV 90 / Act 1: "Frisch weht der Wind der Heimat zu" | Richard Wagner, Birgit Nilsson, Christa Ludwig, Peter Schreier, Wolfgang Windgassen, Eberhard Waechter, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm | C Major | 1 | 8B | 78 BPM | ||
Turandot / Act 3: "Del primo pianto...Più grande vittoria non voler" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 85 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 2 | 6B | 139 BPM |
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