The Slave Who Became A Gladiator
Hans Zimmer, Lisa Gerrard, Gavin Greenaway, The Lyndhurst Orchestra
More Music From The Motion Picture "Gladiator"
6:11 February 7, 2001
BPM
125
Key
B Minor
Camelot
10A

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The Slave Who Became A Gladiator - Hans Zimmer, Lisa Gerrard, Gavin Greenaway, The Lyndhurst Orchestra Information

Acousticness
0%
Danceability
73%
Energy
76%
Instrumentalness
84%
Liveness
61%
Loudness
78%
Speechiness
5%
Valence
67%
Popularity
Loudness
-12.962 dB

Summary

Hans Zimmer, Lisa Gerrard, Gavin Greenaway, The Lyndhurst Orchestra made "The Slave Who Became A Gladiator" available on February 7, 2001. The Slave Who Became A Gladiator is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The track order of this song in Lisa Gerrard, Hans Zimmer, The Lyndhurst Orchestra, Gavin Greenaway's "More Music From The Motion Picture "Gladiator"" album is number 6 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Slave Who Became A Gladiator's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

The Slave Who Became A Gladiator BPM

We consider the tempo marking of The Slave Who Became A Gladiator by Hans Zimmer, Lisa Gerrard, Gavin Greenaway, The Lyndhurst Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

The Slave Who Became A Gladiator Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

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ISRC
USUMC0110067
Label
L-M Records/RCA Records

Section: 0.5261797904968262

End: 0.5318253040313721