"Missa de angelis - Credo" by Schola gregoriana mediolanensis, Giovanni Vianini was released on January 1, 1993. With this song being about 5 minutes long, at 4:45, "Missa de angelis - Credo" by Schola gregoriana mediolanensis, Giovanni Vianini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Schola gregoriana mediolanensis, Giovanni Vianini's "Messe in canto gregoriano" album is number 12 out of 27. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Missa de angelis - Credo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa de angelis - Credo by Schola gregoriana mediolanensis, Giovanni Vianini to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa 17: Agnus Dei | Marek Klein | F Major | 1 | 7B | 77 BPM | ||
Meddley: Defte Lai (Byzantine Chant XIII C.), Aksion Estin [Byzantine Chant XV C.], Hristos Anesti [Byzantine Traditional Chant] | The Chamber Choir of St. Peter Cetinje Seminary, Mihajlo Lazarević | E Major | 3 | 12B | 82 BPM | ||
Great Doxology | Choir of the Monks of Chevetogne | F Minor | 2 | 4A | 125 BPM | ||
Vexilla Regis Prodeunt | Cappella Musicale Basilica di San Marco, Giovanni Vianini | A♭ Minor | 2 | 1A | 145 BPM | ||
Benedicta Sit - VIII modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | D♭ Major | 1 | 3B | 102 BPM | ||
Come, Follow After Me | The Schola Cantorum of St. Peter the Apostle, J Michael Thompson | E♭ Major | 1 | 5B | 139 BPM | ||
Fidelis Servus | The Rose Ensemble, Jordan Sramek | G Major | 0 | 9B | 104 BPM | ||
Memorare | Coro dei monaci dell'Abbazia di Chiaravalle milanese, Giuseppe Gaffurini | F Major | 1 | 7B | 132 BPM | ||
Crudelis Herodes | Coro Solemnis | D♭ Minor | 0 | 12A | 124 BPM | ||
09 Vespers | Concordia Publishing House, Seminary Kantorei of Concordia Theological Seminary | B Minor | 1 | 10A | 116 BPM |
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