On October 1, 2013, the song "Destry Rides Again: The Boys in the Backroom" was released by Friedrich Hollaender, Marlene Dietrich, Unknown Artist, Victor Young. With Destry Rides Again: The Boys in the Backroom being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vintage Hollywood Classics, Vol. 5: Leading Ladies & Partner (Recorded 1928-1940) by Various Artists, Leroy Shield, Paul Whiteman, Nathaniel Shilkret, Jimmy Dorsey, Eddie Ward, Charles Previn, Cy Feuer, Georgie Stoll, Victor Young, Lou Bring. The song's track number on the album is #21 out of 24 tracks. In terms of popularity, Destry Rides Again: The Boys in the Backroom is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Destry Rides Again: The Boys in the Backroom by Friedrich Hollaender, Marlene Dietrich, Unknown Artist, Victor Young has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Destry Rides Again: The Boys in the Backroom being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sommer, See und Sonnenschein | Erhard Bauschke Tanz-Orchester | B♭ Major | 3 | 6B | 203 BPM | ||
I Don't Want to Set the World On Fire | Eddie Seiler, Eddie Durham, Sol Marcus, Charlie Fuqua, Orville "Hoppy" Jones, Bill Kenny, Ivory Deek Watson, Ink Spots, The | C Minor | 0 | 5A | 89 BPM | ||
A Swell Day in Siam - 1940 | Raymond Scott | C Major | 3 | 8B | 97 BPM | ||
How Come You Do Me Like You Do? | Cab Calloway | F Minor | 3 | 4A | 116 BPM | ||
Clean as a Whistle | Tom Coakley And His Orchestra | F Major | 4 | 7B | 211 BPM | ||
How 'Ya Gonna Keep 'Em Down on the Farm? (After They've Seen Paree) | Nora Bayes, Studio Orchestra | D♭ Minor | 1 | 12A | 112 BPM | ||
Cranford: Wedding Cloth | Carl Davis, Unknown Artist | F Major | 1 | 7B | 85 BPM | ||
Flavio Crispo, Act I: Nè potrà il tuo favor | Johann David Heinichen, Il Gusto Barocco, Unknown Artist, Jörg Halubek | A♭ Minor | 0 | 1A | 106 BPM | ||
St. Luke Passion, BWV 246 Anh. II 30, Pt. 2: Sein' allererste Sorge war, zu schützen | Johann Sebastian Bach, Bremen Baroque Orchestra, Unknown Artist, Wolfgang Helbich | D♭ Minor | 2 | 12A | 121 BPM | ||
The Little Town in the Old County Down | Ottilie Patterson, Chris Barber's Jazz Band | C Major | 1 | 8B | 175 BPM |
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