"Das Sühnopfer des neuen Bundes, Pt. 1: No. 4, Da das Judas sahe" by Carl Loewe, Georg Poplutz, Andreas Burkhart, L'Arpa Festante Baroque Orchestra, Thomas Gropper was released on March 8, 2019. With Das Sühnopfer des neuen Bundes, Pt. 1: No. 4, Da das Judas sahe being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper's "Loewe: Das Sühnopfer des neuen Bundes" album is number 4 out of 46. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Das Sühnopfer des neuen Bundes, Pt. 1: No. 4, Da das Judas sahe is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Sühnopfer des neuen Bundes, Pt. 1: No. 4, Da das Judas sahe by Carl Loewe, Georg Poplutz, Andreas Burkhart, L'Arpa Festante Baroque Orchestra, Thomas Gropper to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scarlatti, D: Keyboard Sonata in F Minor, Kk. 467 | Domenico Scarlatti, Scott Ross | E Major | 5 | 12B | 112 BPM | ||
Weichet fort aus meiner Seele, TVWV 1:1537: IV. 4. Nr. 4 Rezitativ (Bass) »Darum sollet ihr nicht sorgen« – Trio (S/A/T) | Georg Philipp Telemann, Neumeyer Consort, Felix Koch, Klaus Mertens, Annemarie Pfahler, Liselotte Fink, Carlos Negrin Lopez | F♯ Minor | 2 | 11A | 148 BPM | ||
Nisi Dominus, RV 608: VI. Beatus vir | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Matthäus-Passion, SWV 479: XV. Bewachung des Grabes | Heinrich Schütz, Georg Poplutz, Tobias Mäthger, Dresdner Kammerchor, Hans-Christoph Rademann | A♭ Minor | 1 | 1A | 136 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu, noch itzo die Bahn (Soprano) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | F♯ Major | 2 | 2B | 72 BPM | ||
Nisi Dominus, HWV 238: II. Vanum est vobis | George Frideric Handel, Hugo Hymas, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Schubert: Meeresstille | Johann Wolfgang von Goethe, Franz Schubert, Andreas Burkhart, Akemi Murakami | C Major | 0 | 8B | 168 BPM | ||
Christus am Ölberge, Op. 85: VII. Recitative. Verkündet, Seraph, mir dein Mund Erbarmen | Ludwig van Beethoven, Orchestre des Champs-Élysées, Philippe Herreweghe, Sebastian Kohlhepp, Eleanor Lyons | C Major | 3 | 8B | 104 BPM | ||
Orgel und Klavierwerke, Toccata I in A Minor, FbWV 101 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Aria: Schame dich, o Seele, nicht (Alto) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | B Major | 1 | 1B | 131 BPM |
Section: 0.5956325531005859
End: 0.5991301536560059