On May 3, 2011, the song "Sursum corda, Op. 11, "Elevation"" was released by Edward Elgar, F. Louis Schneider, Marat Bisengaliev, Benjamin Frith. With this song being about 5 minutes long, at 4:34, "Sursum corda, Op. 11, "Elevation"" by Edward Elgar, F. Louis Schneider, Marat Bisengaliev, Benjamin Frith is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 44 in Elgar: The Violin Music by Edward Elgar, Marat Bisengaliev, Bundit Ungrangsee. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Sursum corda, Op. 11, "Elevation" is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sursum corda, Op. 11, "Elevation" by Edward Elgar, F. Louis Schneider, Marat Bisengaliev, Benjamin Frith is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schön Rosmarin | Fritz Kreisler, Ray Chen, Julien Quentin | G Major | 2 | 9B | 104 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Elgar: May Song | Edward Elgar, Northern Sinfonia of England/Sir Neville Marriner, Sir Neville Marriner, Royal Northern Sinfonia | A Major | 1 | 11B | 117 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Kyung Wha Chung, Phillip Moll | E Major | 1 | 12B | 175 BPM | ||
Elgar: La capricieuse, Op. 17 | Edward Elgar, Renaud Capuçon, Jerome Ducros | E♭ Major | 1 | 5B | 128 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Variation 9: Nimrod (arr. W.H. Harris for organ): Enigma Variations, Op. 36: No. 9. Nimrod (arr. W.H. Harris) | William Henry Harris, Edward Elgar, Martin Souter | E♭ Major | 0 | 5B | 75 BPM |
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