Adam Nitti made "Liminal" available on March 25, 2009. Liminal is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The track order of this song in Adam Nitti's "Liminal" album is number 3 out of 10. In terms of popularity, Liminal is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Liminal by Adam Nitti to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sport Coat Makes Good | Jeff Lorber Fusion | C Major | 8 | 8B | 93 BPM | ||
Look Up | Gábor Vermes Group | F♯ Minor | 7 | 11A | 97 BPM | ||
Bass In Your Face | Doug Johns | G Major | 9 | 9B | 135 BPM | ||
Joe Frazier (Part II) | Jeff Berlin | A Major | 9 | 11B | 109 BPM | ||
Up | The Stanley Clarke Band | G Major | 7 | 9B | 147 BPM | ||
Get A Grip | Tom Scott | A Major | 7 | 11B | 114 BPM | ||
Seaside Symphony - Symphony no. 4: Towers to the Emerald | Lee Johnson, London Symphony Orchestra, Sam Skelton, Jack Gallup, Steve Cunningham, Adam Nitti, Scott Meeder, Sammy Figueroa | E Minor | 4 | 9A | 94 BPM | ||
The Good Foot | Adam Nitti | D Major | 7 | 10B | 90 BPM | ||
Route | Billy Cobham, Novecento | C Major | 7 | 8B | 138 BPM | ||
Everything's Cool | Gary Willis | B♭ Minor | 3 | 3A | 96 BPM |
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