"Suite, Op. 21: Ténèbres et Lueurs, in G Sharp Minor: Andantino" by César Cui, Christoph Deluze was released on January 1, 2004. Since Suite, Op. 21: Ténèbres et Lueurs, in G Sharp Minor: Andantino is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 18 out of 20 in Cui: Piano Works by César Cui, Christoph Deluze. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Suite, Op. 21: Ténèbres et Lueurs, in G Sharp Minor: Andantino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite, Op. 21: Ténèbres et Lueurs, in G Sharp Minor: Andantino by César Cui, Christoph Deluze is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 69 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Des Knaben Wunderhorn: Rheinlegendchen | Gustav Mahler, Daishin Kashimoto, Emmanuel Pahud, Paul Meyer, Zvi Plesser, Eric Le Sage | D♭ Major | 3 | 3B | 95 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Simon Trpčeski, Andrei Kavalinski, Cristian Măcelaru, Janáček Philharmonic Ostrava | A♭ Major | 1 | 4B | 75 BPM | ||
12 Etudes d'execution transcendante, Op. 11: No. 1 Lullaby | Sergei Lyapunov, Konstantin Scherbakov | F♯ Major | 0 | 2B | 90 BPM |
Section: 0.6708166599273682
End: 0.6749255657196045