Paul Jackson, Jr. made "Let's Wait Awhile" available on 1988. With this song being about 5 minutes long, at 5:17, "Let's Wait Awhile" by Paul Jackson, Jr. is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Paul Jackson, Jr.'s "I Came To Play" album is number 7 out of 9. On top of that, United States appears to be the country where this track was created. Let's Wait Awhile is average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Let's Wait Awhile by Paul Jackson, Jr. to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Your Eyes | Dan Siegel | A♭ Major | 5 | 4B | 96 BPM | ||
Have Your Cake And Eat It | Chris Standring | G Minor | 5 | 6A | 106 BPM | ||
Old School | Everette Harp | C Major | 6 | 8B | 103 BPM | ||
Consequences | Marion Meadows | B Minor | 5 | 10A | 90 BPM | ||
Keepin' It Cool | Nick Colionne | F Minor | 6 | 4A | 83 BPM | ||
18th & M | Marcus Johnson | A♭ Major | 7 | 4B | 91 BPM | ||
Daydreamin' | Jay Soto | B♭ Major | 6 | 6B | 75 BPM | ||
Undun | Steve Cole | E♭ Minor | 4 | 2A | 116 BPM | ||
Serenity | Steve Cole | G Major | 7 | 9B | 172 BPM | ||
This Way, That Way (feat. Darren Rahn) | Jonathan Fritzén, Darren Rahn | F Major | 8 | 7B | 100 BPM |
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