Francis Poulenc, Patricia Kopatchinskaja, Reto Bieri, Polina Leschenko made "L'invitation au château, FP. 138: VIII. Tempo di Boston" available on January 26, 2024. The duration of L'invitation au château, FP. 138: VIII. Tempo di Boston is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. L'invitation au château, FP. 138: VIII. Tempo di Boston's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Take 3". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. In terms of popularity, L'invitation au château, FP. 138: VIII. Tempo di Boston is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With L'invitation au château, FP. 138: VIII. Tempo di Boston by Francis Poulenc, Patricia Kopatchinskaja, Reto Bieri, Polina Leschenko having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance oubliee | Franz Liszt, Nobuko Imai, Roland Pöntinen | F♯ Minor | 0 | 11A | 76 BPM | ||
Papillon, Op. 77 | Gabriel Fauré, Yo-Yo Ma, Kathryn Stott | A Major | 1 | 11B | 143 BPM | ||
Romance Op. 23 | Amy Beach, Bomsori, Julia Okruashvili | A Major | 1 | 11B | 87 BPM | ||
Sextet, FP 100: Finale: Prestissimo | Francis Poulenc, Philippe Bernold, Olivier Doise, Hervé Joulain, Ronald Van Spaendonck, Alexandre Tharaud, Laurent Lefèvre | C Major | 1 | 8B | 136 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 3. Menuet | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 86 BPM | ||
2 Pieces for the Left Hand, Op. 9: Prelude for the Left Hand in C-Sharp Minor, Op. 9, No. 1 | Alexander Scriabin, Evgeny Zarafiants | D Major | 0 | 10B | 69 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Fauré / Arr. Auber: Fantaisie, Op. 79 | Gabriel Fauré, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | C Major | 1 | 8B | 75 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM |
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