"Harpsichord Suite Set I No. 1 in A Major, HWV 426: 1. Prelude" by George Frideric Handel, Keith Jarrett had its release date on September 1, 1995. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Harpsichord Suite Set I No. 1 in A Major, HWV 426: 1. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Keith Jarrett's "Handel: Suites For Keyboard" album is number 26 out of 29. In terms of popularity, Harpsichord Suite Set I No. 1 in A Major, HWV 426: 1. Prelude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Harpsichord Suite Set I No. 1 in A Major, HWV 426: 1. Prelude by George Frideric Handel, Keith Jarrett to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Easter Hymn | Keith Jarrett | F Minor | 0 | 4A | 67 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
Fantasia in C Major | Orlando Gibbons, Glenn Gould | C Major | 1 | 8B | 77 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Cello Sonata in E Minor, RV 40: I. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | G Minor | 2 | 6A | 106 BPM | ||
Rinaldo, HWV 7a: Lascia ch'io piangia (Arranged by Charl du Plessis) | George Frideric Handel, Charl du Plessis Trio | D Major | 1 | 10B | 120 BPM | ||
Württemberg Sonatas / Sonata No. 3 in E Minor, H. 33: I. Allegro | Carl Philipp Emanuel Bach, Keith Jarrett | G Major | 1 | 9B | 124 BPM | ||
Fugue No.5 en ré majeur, BWV 850 | Jacques Loussier | D Major | 3 | 10B | 129 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM |