La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XIV - "Allons, il est trop tard! ... Je connais donc enfin"
Hector Berlioz, London Symphony Orchestra, Michele Pertusi, Sir Colin Davis, London Symphony Chorus, Enkelejda Shkosa, Giuseppe Sabbatini
Berlioz Odyssey: The Complete Colin Davis Recordings
4:52 November 30, 2018
BPM
122
Key
F Major
Camelot
7B

Embed

Share Link

La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XIV - "Allons, il est trop tard! ... Je connais donc enfin" - Hector Berlioz, London Symphony Orchestra, Michele Pertusi, Sir Colin Davis, London Symphony Chorus, Enkelejda Shkosa, Giuseppe Sabbatini Information

Acousticness
89%
Danceability
40%
Energy
16%
Instrumentalness
0%
Liveness
6%
Loudness
58%
Speechiness
9%
Valence
31%
Popularity
Loudness
-25.168 dB

Summary

Hector Berlioz, London Symphony Orchestra, Michele Pertusi, Sir Colin Davis, London Symphony Chorus, Enkelejda Shkosa, Giuseppe Sabbatini's 'La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XIV - "Allons, il est trop tard! ... Je connais donc enfin"' came out on November 30, 2018. With this song being about 5 minutes long, at 4:52, "La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XIV - "Allons, il est trop tard! ... Je connais donc enfin"" by Hector Berlioz, London Symphony Orchestra, Michele Pertusi, Sir Colin Davis, London Symphony Chorus, Enkelejda Shkosa, Giuseppe Sabbatini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 28 out of 217 in Berlioz Odyssey: The Complete Colin Davis Recordings by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis. Based on our statistics, La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XIV - "Allons, il est trop tard! ... Je connais donc enfin"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XIV - "Allons, il est trop tard! ... Je connais donc enfin" BPM

The tempo marking of La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XIV - "Allons, il est trop tard! ... Je connais donc enfin" by Hector Berlioz, London Symphony Orchestra, Michele Pertusi, Sir Colin Davis, London Symphony Chorus, Enkelejda Shkosa, Giuseppe Sabbatini is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XIV - "Allons, il est trop tard! ... Je connais donc enfin" Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Grande messe des morts, Op. 5, Grande messe des morts, Op. 5, "Requiem": Rex tremendaeHector Berlioz, Keith Ikaia-Purdy, Dresden State Opera Chorus, Dresden Symphony Chorus, Dresden Singakademie, Staatskapelle Dresden, Sir Colin DavisB Major11B114 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinB♭ Major06B82 BPM
Symphony No. 3 in F Major, Op. 90: II. Andante by Johannes Brahms, David ZinmanSymphony No. 3 in F Major, Op. 90: II. AndanteJohannes Brahms, David ZinmanC Major08B73 BPM
Tristan und Isolde, WWV 90: Prelude To Act I by Richard Wagner, Gewandhausorchester Leipzig, Andris NelsonsTristan und Isolde, WWV 90: Prelude To Act IRichard Wagner, Gewandhausorchester Leipzig, Andris NelsonsA Minor18A79 BPM
Grieg : Symphonic Dances Op.64 : No.2 in A Major by Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony OrchestraGrieg : Symphonic Dances Op.64 : No.2 in A MajorEdvard Grieg, Sakari Oramo, City Of Birmingham Symphony OrchestraA Major111B110 BPM
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance by Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning DanceSergei Prokofiev, Cleveland Orchestra, Lorin MaazelG Major29B90 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezL’arlésienne Suite No. 1, Op. 23bis, WD 40: I. PréludeGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezC Minor05A87 BPM
Il barbiere di Siviglia: Overture (Sinfonia) by Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno BartolettiIl barbiere di Siviglia: Overture (Sinfonia)Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno BartolettiE Major312B98 BPM
Le roi s'amuse: Madrigal by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: MadrigalLéo Delibes, Slovak Philharmonic, Ondrej LenardA Major011B82 BPM
L'Arlésienne Suite No.1: Adagietto by Georges Bizet, Berliner Philharmoniker, Herbert von KarajanL'Arlésienne Suite No.1: AdagiettoGeorges Bizet, Berliner Philharmoniker, Herbert von KarajanF Major07B112 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.1916909217834473

End: 1.195068359375