Hector Berlioz, London Symphony Orchestra, Michele Pertusi, Sir Colin Davis, London Symphony Chorus, Enkelejda Shkosa, Giuseppe Sabbatini's 'La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XIV - "Allons, il est trop tard! ... Je connais donc enfin"' came out on November 30, 2018. With this song being about 5 minutes long, at 4:52, "La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XIV - "Allons, il est trop tard! ... Je connais donc enfin"" by Hector Berlioz, London Symphony Orchestra, Michele Pertusi, Sir Colin Davis, London Symphony Chorus, Enkelejda Shkosa, Giuseppe Sabbatini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 28 out of 217 in Berlioz Odyssey: The Complete Colin Davis Recordings by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis. Based on our statistics, La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XIV - "Allons, il est trop tard! ... Je connais donc enfin"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of La Damnation de Faust, Op. 24, H. 111, Pt. III: Scène XIV - "Allons, il est trop tard! ... Je connais donc enfin" by Hector Berlioz, London Symphony Orchestra, Michele Pertusi, Sir Colin Davis, London Symphony Chorus, Enkelejda Shkosa, Giuseppe Sabbatini is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande messe des morts, Op. 5, "Requiem": Rex tremendae | Hector Berlioz, Keith Ikaia-Purdy, Dresden State Opera Chorus, Dresden Symphony Chorus, Dresden Singakademie, Staatskapelle Dresden, Sir Colin Davis | B Major | 1 | 1B | 114 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Grieg : Symphonic Dances Op.64 : No.2 in A Major | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 110 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM |
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