"I was Looking at the Ceiling and Then I Saw the Sky: Act II: 1 Last Look at the Angel in Your Eyes (Consuelo, Dewain)" by John Adams, Martina Mühlpointner, Kimako Xavier Trotman, Markus Alexander Neisser, Jeannette Friedrich, Darius de Haas, Lilith Gardell, Jonas Holst, Holst Sinfonietta, Klaus Simon had its release date on October 18, 2005. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. I was Looking at the Ceiling and Then I Saw the Sky: Act II: 1 Last Look at the Angel in Your Eyes (Consuelo, Dewain)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 24 in Adams: I Was Looking at the Ceiling and Then I Saw the Sky by John Adams, Klaus Simon. I was Looking at the Ceiling and Then I Saw the Sky: Act II: 1 Last Look at the Angel in Your Eyes (Consuelo, Dewain) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I was Looking at the Ceiling and Then I Saw the Sky: Act II: 1 Last Look at the Angel in Your Eyes (Consuelo, Dewain) by John Adams, Martina Mühlpointner, Kimako Xavier Trotman, Markus Alexander Neisser, Jeannette Friedrich, Darius de Haas, Lilith Gardell, Jonas Holst, Holst Sinfonietta, Klaus Simon is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Finding Rothko: Wine | Adam Schoenberg, Kansas City Symphony, Michael Stern | A Major | 1 | 11B | 132 BPM | ||
Grand Pianola Music: On the Great Divide | John Adams | E♭ Major | 2 | 5B | 84 BPM | ||
Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, London Symphony Orchestra, Sir Charles Mackerras | A Minor | 0 | 8A | 113 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 83 BPM | ||
Pavane for Dead Princess | Maurice Ravel, David Robertson, Orchestra National de Lyon, Irina Mejoueva | G Major | 1 | 9B | 77 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 3 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | B♭ Major | 3 | 6B | 145 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Credits - Tristan and Isolde | The City of Prague Philharmonic Orchestra | C Major | 0 | 8B | 69 BPM |