Alfredo Kraus, Julius Rudel, Philharmonia Orchestra's 'Rigoletto (1996 Digital Remaster), Act 3: La donna è mobile' came out on 2004. The duration of Rigoletto (1996 Digital Remaster), Act 3: La donna è mobile is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Rigoletto (1996 Digital Remaster), Act 3: La donna è mobile's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Opera Classics, so we believe that "Rigoletto (1996 Digital Remaster), Act 3: La donna è mobile" is a single. Rigoletto (1996 Digital Remaster), Act 3: La donna è mobile is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Rigoletto (1996 Digital Remaster), Act 3: La donna è mobile by Alfredo Kraus, Julius Rudel, Philharmonia Orchestra is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Gato Montés (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | C Major | 5 | 8B | 117 BPM | ||
La Gran Via: Tango de la menegilda - 2006 - Remaster | Joaquín Valverde, Victoria de los Ángeles, Orquesta Nacional De España, Rafael Frühbeck de Burgos | E Minor | 0 | 9A | 83 BPM | ||
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM | ||
Islas Canarias | Alfredo Kraus | G Major | 3 | 9B | 122 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Jota de el Trust de los Tenorios | Alfredo Kraus | D Major | 3 | 10B | 110 BPM | ||
Serenata Napolitana | Alfredo Kraus | E Minor | 3 | 9A | 171 BPM | ||
Donde Estarán Nuestros Mozos | Orquesta Sinfónica Española | D Major | 3 | 10B | 163 BPM | ||
Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
La Paloma | Sebastián de Yradier, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | C Major | 2 | 8B | 132 BPM |
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