Laudes de sainte Ursule: V. Antienne "Unde quoque"
Hildegard von Bingen, Ensemble Organum, Marcel Pérès
Hildegard von Bingen: Laudes de sainte Ursule
2:03 1996
BPM
127
Key
B♭ Minor
Camelot
3A

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Laudes de sainte Ursule: V. Antienne "Unde quoque" - Hildegard von Bingen, Ensemble Organum, Marcel Pérès Information

Acousticness
98%
Danceability
22%
Energy
6%
Instrumentalness
0%
Liveness
9%
Loudness
57%
Speechiness
4%
Valence
4%
Popularity
Loudness
-26.012 dB

Summary

"Laudes de sainte Ursule: V. Antienne "Unde quoque"" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès was released on 1996. The duration of Laudes de sainte Ursule: V. Antienne "Unde quoque" is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Laudes de sainte Ursule: V. Antienne "Unde quoque"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hildegard von Bingen, Ensemble Organum, Marcel Pérès's "Hildegard von Bingen: Laudes de sainte Ursule" album is number 5 out of 25. On top of that, France appears to be the country where this track was created. Based on our statistics, Laudes de sainte Ursule: V. Antienne "Unde quoque"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Laudes de sainte Ursule: V. Antienne "Unde quoque" BPM

We consider the tempo marking of Laudes de sainte Ursule: V. Antienne "Unde quoque" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Laudes de sainte Ursule: V. Antienne "Unde quoque" Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

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ISRC
FRZ149721050
Label
L-M Records/RCA Records

Section: 0.5096170902252197

End: 0.5148823261260986