Asif Jeriya made "Hare Rama Hare Krishna" available on August 20, 2021. Since Hare Rama Hare Krishna is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Hare Rama Hare Krishna and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Hare Rama Hare Krishna is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hare Rama Hare Krishna by Asif Jeriya to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maiya Teri Jai Jaikaar | Arijit Singh | G Major | 8 | 9B | 90 BPM | ||
Ram Naam Ke Heerey Moti Main Bikhraun Gali Gali | Shridhay Shri Mridul krishna shastri ji maharaj | G Minor | 6 | 6A | 143 BPM | ||
Sawre KO Dil Me Basa Kar | Chitra Vichitra Ji | B♭ Minor | 9 | 3A | 77 BPM | ||
Meri Jhonpdi Ke Bhaag (DJ Remix) | Madhavas Rock Band, Nirdosh Sobti, Neha Sobti | G Major | 9 | 9B | 125 BPM | ||
Sri Venkatesha Stotram | ISKCON Bangalore | D Major | 3 | 10B | 67 BPM | ||
Raghupati Raghav | Baal Gopal, Hladini | A Major | 3 | 11B | 113 BPM | ||
Mero to Adhar Shri Vallabh Ke Charnavind | Ami Joshi, Asif Jeriya | F♯ Major | 4 | 2B | 105 BPM | ||
Rama Rama Ratte Ratte Biti Re Umariya | Pujya Prembhushanji Maharaj | G Major | 6 | 9B | 95 BPM | ||
Shri Vrindavan Bihari | Nikhil Verma | A Minor | 7 | 8A | 105 BPM | ||
Humen To Ab Bhi Woh Gujara Zamana Yaad | Ghulam Ali | B♭ Minor | 5 | 3A | 105 BPM |
Section: 0.8455832004547119
End: 0.8504664897918701