"Le Desert: Arabische Fantasie" by Félicien David, Bruno Lazzaretti, Chor der St. Hedwigs-Kathedrale Berlin, Berlin Radio Symphony Orchestra, Guido Maria Guida was released on January 1, 1997. With Le Desert: Arabische Fantasie being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists, Hanns-Martin Schneidt, Guido Maria Guida's "Melodies From 1001 Nights - Rimsky-Korsakov, N.A. / David, F. / Ravel, M. / Reyer, E." album is number 6 out of 15. On top of that, United States appears to be the country where this track was created. Le Desert: Arabische Fantasie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Desert: Arabische Fantasie by Félicien David, Bruno Lazzaretti, Chor der St. Hedwigs-Kathedrale Berlin, Berlin Radio Symphony Orchestra, Guido Maria Guida to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Désert, Lever du soleil: I. Le lever du soleil | Félicien David, Orchestre de chambre de Paris, Laurence Equilbey | A Major | 0 | 11B | 0 BPM | ||
Cinderella: 2. Her Fairy Godmother calls her softly and she gradually wakes | Eric Coates, BBC Philharmonic Orchestra, John Wilson | D Major | 3 | 10B | 118 BPM | ||
Zigeunerweisen, Op. 20: III. Un peu plus lent | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | C Minor | 0 | 5A | 88 BPM | ||
ICC 101: La lune paresseuse | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 129 BPM | ||
Growing Up Is Hard to Do | Andrea Datzman | C Major | 3 | 8B | 120 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 1: "Täubchen, das entflattert ist" (Alfred, Adele, Rosalinde) | Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner Rundfunkorchester | G Major | 1 | 9B | 49 BPM | ||
The Four Temperaments for Piano and String Orchestra: Var. 3. Phlegmatisch. Moderato | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | F Minor | 1 | 4A | 135 BPM | ||
Te Deum: Fiat misericordia tua | Georges Bizet, Katarina Jovanovic, Philippe Do, Pas-de-Calais North Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus | D♭ Minor | 1 | 12A | 134 BPM | ||
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM | ||
Dhabitude | Fanny Hearst | G Major | 1 | 9B | 70 BPM |
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