I Solisti Veneti & Claudio Scimone's 'Symphony No. 13 K. 112. F Major: II. Andante' came out on 1996. With this song being about 5 minutes long, at 4:46, "Symphony No. 13 K. 112. F Major: II. Andante" by I Solisti Veneti & Claudio Scimone is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of W.A. Mozart: Early Symphonies - Vol. 3 by I Solisti Veneti & Claudio Scimone. The song's track number on the album is #10 out of 20 tracks. In terms of popularity, Symphony No. 13 K. 112. F Major: II. Andante is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Symphony No. 13 K. 112. F Major: II. Andante by I Solisti Veneti & Claudio Scimone has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Symphony No. 13 K. 112. F Major: II. Andante being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto pour flûte et harpe en Ut majeur K. 229, Troisième mouvement : Rondo, Allegro | Wolfgang Amadeus Mozart, Jean-Pierre Rampal, Lily Laskine, Ensemble instrumental de France, Jean-François Paillard | G Major | 4 | 9B | 119 BPM | ||
Sinfonia Concertante in D Major: I. Allegro Moderato | Carl Stamitz, Warmia Symphonic Orchestra, Giovanni Antonioni, Silvano Frontalini, Beatrice Antonioni | D Major | 2 | 10B | 109 BPM | ||
Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto | Ludwig van Beethoven, Antonello Manacorda, Kammerakademie Potsdam | C Major | 0 | 8B | 109 BPM | ||
Albinoni: Oboe Concerto in G Minor, Op. 9 No. 8: II. Adagio | Tomaso Albinoni, Claudio Scimone, Pierre Pierlot, I Solisti Veneti | D Major | 3 | 10B | 104 BPM | ||
12 Contredanses, WoO 14: No. 10 in C Major | Ludwig van Beethoven, Helmut Koch, Kammerorchester Berlin | E♭ Major | 2 | 5B | 116 BPM | ||
Symphony No. 49 in F Major: I. Allegro spiritoso | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | F Major | 2 | 7B | 82 BPM | ||
Sonata No. 1 in B-Flat Major, G.25: I. Allegro con Moto | Luigi Boccherini, Igor Ruhadze, Alexandra Nepomnyashchaya | E Minor | 0 | 9A | 139 BPM | ||
Divertissement, Vorstellungen 1803: No. 6, Tempo di Minuetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Keyboard Concerto in G Major, Wq. 44: I. Allegretto | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | G Major | 1 | 9B | 98 BPM | ||
Symphony K. 100 (62a). D Major: V. Allegro | I Solisti Veneti & Claudio Scimone | D Major | 2 | 10B | 76 BPM |
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