"All-night Vigil, Op. 44: Ot yunosti moyeya" by Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker was released on May 12, 2023. With this song being about 5 minutes long, at 4:39, "All-night Vigil, Op. 44: Ot yunosti moyeya" by Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 14 in Chesnokov: Sacred Choral Music by Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, Natalie Manning, Tom Butler, St. John's Voices. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, All-night Vigil, Op. 44: Ot yunosti moyeya's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of All-night Vigil, Op. 44: Ot yunosti moyeya by Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sancta Maria succure miseris | Francisco de Peñalosa, New York Polyphony | A Minor | 3 | 8A | 106 BPM | ||
Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | F Major | 1 | 7B | 129 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Nunc Dimittis | Josquin des Prez, Oxford Camerata | A Minor | 0 | 8A | 68 BPM | ||
Set Me as a Seal | The Singers - Minnesota Choral Artists | D Major | 1 | 10B | 101 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
Во Царрствии Твоем | St. Peter St. Paul Cathedral Choir of Minsk | E Minor | 1 | 9A | 81 BPM | ||
Lux aeterna: 2. In te, domine, speravi | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | G Minor | 0 | 6A | 108 BPM |
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