Leon Jessel, Franz Fehringer, Willy Hofmann, Günter Kallmann Chor, Kölner Rundfunkorchester, Franz Marszalek's 'Schwarzwaldmädel - operetta in 3 Acts: Einleitung - Wir sind auf der Walz' came out on January 1, 1993. With Schwarzwaldmädel - operetta in 3 Acts: Einleitung - Wir sind auf der Walz being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 32 in Der Vogelhändler - Schwarzwaldmädel - Der Vetter aus Dingsda by Rita Bartos, Franz Fehringer, Ingeborg Hallstein, Herta Talmar, Willi Hofmann, Heinz Maria Lins, Peter Alexander, Günter Kallmann Chor, Chor, Grosses Operetten Orchester, Kölner Rundfunk Sinfonieorchester, Franz Marszalek. In terms of popularity, Schwarzwaldmädel - operetta in 3 Acts: Einleitung - Wir sind auf der Walz is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Schwarzwaldmädel - operetta in 3 Acts: Einleitung - Wir sind auf der Walz by Leon Jessel, Franz Fehringer, Willy Hofmann, Günter Kallmann Chor, Kölner Rundfunkorchester, Franz Marszalek is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for String Orchestra, JW6 No. 2: I. Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | G Major | 1 | 9B | 93 BPM | ||
Der Probekuss: In Saus und Braus | Carl Millöcker, Wiener Johann Strauss Orchester, Alfred Eschwe | F Major | 4 | 7B | 78 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Aus ist's mit der Liebe - Ganz ohne weiber geht die Chose nicht (Boni - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Major | 3 | 8B | 107 BPM | ||
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM | ||
Little Ballet Music: VI. Marche de Kermesse | Richard Flury, Nuremberg Symphony Orchestra, Paul Mann | E♭ Major | 6 | 5B | 126 BPM | ||
For all offers | Coxeegan | F♯ Major | 3 | 2B | 110 BPM | ||
Fur die ganze Welt | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | G Major | 1 | 9B | 179 BPM | ||
Victoria Galop - 1856 | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 4 | 10B | 144 BPM | ||
Un ballo in maschera / Act 2: Preludio | Giuseppe Verdi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | B♭ Minor | 1 | 3A | 80 BPM | ||
Napoli: Act III: Pas de six: Second Lady's solo: Allegretto | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | G Major | 1 | 9B | 85 BPM |
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