Stephen Paulus, Barry Abelson, Elizabeth Futral, Christina Baldwin, John Tessier, Philip Cokorinos, Minnesota Boychoir, Minnesota Chorale, Basilica Cathedral Choir, Cathedral Choristers, Minnesota Orchestra, Osmo Vänskä made "To Be Certain of the Dawn: Part II: Remembrance: This We Ask of You (chorus)" available on January 1, 2009. With To Be Certain of the Dawn: Part II: Remembrance: This We Ask of You (chorus) being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Paulus, S.: To Be Certain of the Dawn [Oratorio]". In this album, this song's track order is #11. Based on our statistics, To Be Certain of the Dawn: Part II: Remembrance: This We Ask of You (chorus)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With To Be Certain of the Dawn: Part II: Remembrance: This We Ask of You (chorus) by Stephen Paulus, Barry Abelson, Elizabeth Futral, Christina Baldwin, John Tessier, Philip Cokorinos, Minnesota Boychoir, Minnesota Chorale, Basilica Cathedral Choir, Cathedral Choristers, Minnesota Orchestra, Osmo Vänskä having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
For the Fallen | Douglas Guest, Choir of Jesus College, Cambridge, Mark Williams | D♭ Minor | 1 | 12A | 97 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
Ain't No Grave | The Wartburg Choir, Dr. Lee Nelson | A Minor | 3 | 8A | 127 BPM | ||
Requiem | Eliza Gilkyson, Conspirare, Craig Hella Johnson | B♭ Major | 0 | 6B | 82 BPM | ||
Stars | Ēriks Ešenvalds, Sara Teasdale, Voces8 | D Major | 1 | 10B | 64 BPM | ||
O salutaris hostia | Ēriks Ešenvalds, South Dakota Chorale, Brian A. Schmidt | D Major | 1 | 10B | 65 BPM | ||
There Will Be Rest | Frank Ticheli, Vox Humana, David N. Childs | E♭ Major | 1 | 5B | 106 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
The Triumph of the Saint: I. The Flight and Failure of St. Anthony | Stephen Paulus, Elizabeth Chenault, Raymond Chenault | F Minor | 3 | 4A | 113 BPM |
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