- BPM
- 140
- Key
- C Minor
- Camelot
- 5A
The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 3. Sonata II (Grave e Cantabile) - Franz Joseph Haydn, Berliner Philharmoniker, Riccardo Muti Information
- Acousticness
- 96%
- Danceability
- 16%
- Energy
- 3%
- Instrumentalness
- 72%
- Liveness
- 12%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -28.862 dB
Summary
"The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 3. Sonata II (Grave e Cantabile)" by Franz Joseph Haydn, Berliner Philharmoniker, Riccardo Muti was released on April 2, 2021. Since The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 3. Sonata II (Grave e Cantabile) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 57 in Easter Classical by Johann Sebastian Bach, Wolfgang Amadeus Mozart, George Frideric Handel. Based on our statistics, The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 3. Sonata II (Grave e Cantabile)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 3. Sonata II (Grave e Cantabile) BPM
The tempo marking of The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 3. Sonata II (Grave e Cantabile) by Franz Joseph Haydn, Berliner Philharmoniker, Riccardo Muti is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 3. Sonata II (Grave e Cantabile) Key
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | |
 | Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | |
 | Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante | George Frideric Handel, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 125 BPM | |
 | Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | |
 | Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | |
 | Double Bass Concerto in D Major: II. Adagio | Johann Baptist Vanhal, Zsolt Fejervari, Budapest Ferenc Erkel Chamber Orchestra | A Major | 0 | 11B | 122 BPM | |
 | Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | |
 | Sonata in E Major, L. 21 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | |
 | Bassoon Concerto in C Major, RV 473: I. Allegro | Antonio Vivaldi, Tamás Benkócs, Nicolaus Esterhazy Sinfonia, Béla Drahos | D Minor | 1 | 7A | 102 BPM | |
 | Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 60 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7613255977630615
End: 0.7665901184082031