"Sexton Songs (Version for Voice & Chamber Ensemble): No. 4, Riding the Elevator into the Sky" by David Conte, Marnie Breckenridge, New Music Ensemble, Nicole Paiement was released on August 17, 2018. With this song being about 5 minutes long, at 4:40, "Sexton Songs (Version for Voice & Chamber Ensemble): No. 4, Riding the Elevator into the Sky" by David Conte, Marnie Breckenridge, New Music Ensemble, Nicole Paiement is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 23 in Everyone Sang: Vocal Music of David Conte by David Conte, Various Artists, Marika Kuzma, Nicole Paiement, Eric Dudley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Sexton Songs (Version for Voice & Chamber Ensemble): No. 4, Riding the Elevator into the Sky is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sexton Songs (Version for Voice & Chamber Ensemble): No. 4, Riding the Elevator into the Sky by David Conte, Marnie Breckenridge, New Music Ensemble, Nicole Paiement is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gift of the Magi: Scene 1: Della, Oh Della, Looking in the mirror, Combing through your hair (Jim, Della) | David Conte, Aimée Puentes, Tim Krol, San Francisco New Music Ensemble, Nicole Paiement | E Minor | 2 | 9A | 80 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Closing Scene. Slow – (The Caravan recedes farther and farther into the distance.) – (Dying away in the distance) | Frederick Delius, Ruairi Bowen, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | G Minor | 0 | 6A | 87 BPM | ||
Best Room | Nicolas Fayolle | B♭ Major | 1 | 6B | 85 BPM | ||
MASS: No. 7, Prayer for the Congregation "Almighty Father" | Leonard Bernstein, Wiener Singakademie, Unknown Artist, Dennis Russell Davies | C Major | 0 | 8B | 131 BPM | ||
Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
Jehova, quam multi sunt hostes mei, Z. 135 | Henry Purcell, Francis Williams, Thomas Lynch, Westminster Kantorei, Daniel Boring, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 89 BPM | ||
I Take Thee | Joanna Marsh, Owain Park, The Gesualdo Six | E♭ Minor | 1 | 2A | 80 BPM | ||
Das Blümelein so kleine | Torbjørn Dyrud, Nidaros Domkor, Vivianne Sydnes | G Minor | 0 | 6A | 140 BPM | ||
Eos: I. Eos | David Conte, Boston Gay Men's Chorus, Reuben M. Reynolds III, Chad Weirick | D♭ Minor | 0 | 12A | 70 BPM | ||
Tree of Life so Green | Vanessa Lann, Dietrich Henschel, Ensemble UnitedBerlin, Vladimir Jurowski | G Major | 1 | 9B | 169 BPM |
Section: 0.693800687789917
End: 0.6975963115692139