"The four seasons, Spring, Op.8/1: II. Largo" by San, Su, ne Lautenbacher, Württemberg Chamber Orchestra, Jörg Faerber was released on November 27, 2011. The duration of The four seasons, Spring, Op.8/1: II. Largo is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. The four seasons, Spring, Op.8/1: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in San's "Instant Classical Collection - Most Popular Masterpieces, Vol. 1" album is number 30 out of 87. The four seasons, Spring, Op.8/1: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The four seasons, Spring, Op.8/1: II. Largo by San, Su, ne Lautenbacher, Württemberg Chamber Orchestra, Jörg Faerber to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Concerto grosso in G Minor, Op. 3/2, RV. 578: I. Adagio e spiccato | Antonio Vivaldi, Simon Standage, Michaela Comberti, Jaap Ter Linden, The English Concert, Trevor Pinnock | D Major | 1 | 10B | 83 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Violin Concerto in A Minor, Op. 3, No. 6, RV 356: II. Largo (arr. for violin and piano) | Anonymous, Antonio Vivaldi, Takako Nishizaki, Terence Dennis | E♭ Major | 2 | 5B | 144 BPM | ||
Violin Concerto In B Minor, Op. 9, No. 12, RV 391: I. Allegro Non Molto | L'Arte dell' Arco, Giovanni Guglielmo, Antonio Vivaldi | B Minor | 1 | 10A | 80 BPM | ||
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro) | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 87 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM |
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