Gregorian Chants, Karel Frana, Boni Puncti's 'Dominica Resurrectionis: IV. Offertorium (Terra tremuit)' came out on January 1, 2009. With Dominica Resurrectionis: IV. Offertorium (Terra tremuit) being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gregorian Chants, Karel Frana, Boni Puncti's "Gregorian Chants" album is number 9 out of 51. On top of that, United States appears to be the country where this track was created. Based on our statistics, Dominica Resurrectionis: IV. Offertorium (Terra tremuit)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Dominica Resurrectionis: IV. Offertorium (Terra tremuit) by Gregorian Chants, Karel Frana, Boni Puncti to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Commuio | Chants From the Holyland- Graz Gregorian Chants School of Austri | A♭ Major | 1 | 4B | 128 BPM | ||
6ème dimanche de Pâques: Répons: Christus resurgens | Traditionnel, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Dom Joseph Gajard | G Minor | 1 | 6A | 133 BPM | ||
Diligamte | Coro De La Abadía De San Florián Y La Iglesia De Santa Rita | C Major | 1 | 8B | 69 BPM | ||
Dominus Exultemus | Traditional Gregorian Chant, The Benedictine Monks of St. Michael de Laudes | B Minor | 1 | 10A | 83 BPM | ||
Regina Caeli | Lucien Deiss, CSSp | G Major | 0 | 9B | 170 BPM | ||
Gloria, laus et honor | Ars Veritas | F♯ Minor | 3 | 11A | 76 BPM | ||
Missa cunctipotens genitor Deus - Gloria | Nova Schola Gregoriana, Alberto Turco | D Major | 1 | 10B | 79 BPM | ||
In Festo Septem Dolorum B.M.V.: V. Offertorium (Recordare Virgo Mater) | Gregorian Chants, Karel Frana, Boni Puncti | A Minor | 0 | 8A | 71 BPM | ||
Cantus Officiorum: Responsorium: Tenebrae factae sunt | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | E♭ Major | 1 | 5B | 131 BPM | ||
Cantus Officiorum: Psallenda: Videntes stellam magi | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | E Minor | 1 | 9A | 84 BPM |
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