"Piazzolla: Estaciones porteñas: No. 2, Otoño porteño" by Artemis Quartet, Jacques Ammon was released on May 11, 2009. Piazzolla: Estaciones porteñas: No. 2, Otoño porteño is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. There are a total of 10 in the song's album "The Piazzolla Project". In this album, this song's track order is #2. Based on our statistics, Piazzolla: Estaciones porteñas: No. 2, Otoño porteño's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piazzolla: Estaciones porteñas: No. 2, Otoño porteño by Artemis Quartet, Jacques Ammon having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | A♭ Major | 0 | 4B | 72 BPM | ||
Ballet - From Orfeo ed Euridice, Arr. for Cello and Piano | Christoph Willibald Gluck, Eckart Runge, Jacques Ammon | E Minor | 0 | 9A | 118 BPM | ||
Sisask : Starry Sky Cycle Op.52 - Pleiades : 17. II Maja | Urmas Sisask, Lauri Väinmaa | F Major | 0 | 7B | 69 BPM | ||
Nocturn a Chloé | Albert Guinovart | G Minor | 1 | 6A | 61 BPM | ||
Opus 20 | Dustin O'Halloran | F Minor | 1 | 4A | 136 BPM | ||
Sonata for Cello and Piano G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Jonathan Swensen, Filip Štrauch | D Minor | 0 | 7A | 95 BPM | ||
Cello Sonata No. 2, Op. 84: III. Allegro assai | Nikolai Kapustin, Eckart Runge, Jacques Ammon | C Major | 3 | 8B | 78 BPM | ||
Written In Stone | Ólafur Arnalds, Alice Sara Ott | E Minor | 2 | 9A | 82 BPM | ||
Woman´s Prayer | George Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, Marek Janowski, Éric Levionnais | G Major | 0 | 9B | 91 BPM |
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