- BPM
- 93
- Key
- F♯ Major
- Camelot
- 2B
Debussy: 12 Études, CD 143, L. 136: No. 10, Pour les sonorités opposées - Claude Debussy, Walter Gieseking Information
- Acousticness
- 100%
- Danceability
- 53%
- Energy
- 9%
- Instrumentalness
- 94%
- Liveness
- 7%
- Loudness
- 66%
- Speechiness
- 13%
- Valence
- 6%
- Popularity
- 1%
- Loudness
- -20.355 dB
Summary
"Debussy: 12 Études, CD 143, L. 136: No. 10, Pour les sonorités opposées" by Claude Debussy, Walter Gieseking was released on 1953. With this song being about 5 minutes long, at 4:37, "Debussy: 12 Études, CD 143, L. 136: No. 10, Pour les sonorités opposées" by Claude Debussy, Walter Gieseking is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 46 out of 74 in Debussy: Piano Works by Claude Debussy, Walter Gieseking. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Debussy: 12 Études, CD 143, L. 136: No. 10, Pour les sonorités opposées is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Debussy: 12 Études, CD 143, L. 136: No. 10, Pour les sonorités opposées BPM
The tempo marking of Debussy: 12 Études, CD 143, L. 136: No. 10, Pour les sonorités opposées by Claude Debussy, Walter Gieseking is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Debussy: 12 Études, CD 143, L. 136: No. 10, Pour les sonorités opposées Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Alice Sara Ott | D♭ Minor | 0 | 12A | 168 BPM | |
 | Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | |
 | Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 87 BPM | |
 | Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | |
 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Jenő Jandó | D♭ Minor | 0 | 12A | 163 BPM | |
 | Suite Bergamasque, L. 75: III. Clair de lune (Andante très expressif) | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM | |
 | Adagio in G Minor (Arr. for Harp and Orchestra) | Tomaso Albinoni, Remo Giazotto, Stefan Klieme, Xavier De Maistre, L'Arte del mondo | C Minor | 1 | 5A | 175 BPM | |
 | Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: 1. Allegro non troppo e molto maestoso - Excerpt | Pyotr Ilyich Tchaikovsky, Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel | D♭ Major | 3 | 3B | 78 BPM | |
 | Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM | |
 | Jeux D'Eau | Maurice Ravel, André Laplante | A Major | 1 | 11B | 65 BPM |
- ISRC
- GBAYC1102311
- Label
- L-M Records/RCA Records
Section: 0.6656110286712646
End: 0.6693065166473389