Armonie Symphony Orchestra's 'Symphony N° 1 In C Major, Op. 21' came out on January 12, 2010. With this song being about 5 minutes long, at 5:24, "Symphony N° 1 In C Major, Op. 21" by Armonie Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Armonie Symphony Orchestra's "Good Classic Vol.6" album is number 4 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, Symphony N° 1 In C Major, Op. 21's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony N° 1 In C Major, Op. 21 by Armonie Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
La fille mal gardée (Rev. Lanchbery), Act I: No. 17a, Clog Dance | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Minor | 1 | 6A | 130 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM | ||
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | ||
Act III: Variation 3 (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 118 BPM | ||
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM | ||
Autumn (L'Automno) Op.8 No.3 Major: Allegro (La Caccia) | Baroque Festival Orchestra, Alberto Lizzio | C Major | 0 | 8B | 147 BPM | ||
Carmen L'amour est un oiseau rebelle - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | D Major | 1 | 10B | 98 BPM | ||
Spanish Dance | Dmitri Shostakovich, Plano East Senior High Chamber Orchestra, Betsy Thomas | D Major | 5 | 10B | 116 BPM |
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