サザンオールスターズ made "愛する女性とのすれ違い" available on September 14, 1985. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in サザンオールスターズ's "KAMAKURA" album is number 4 out of 20. In terms of popularity, 愛する女性とのすれ違い is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of 愛する女性とのすれ違い by サザンオールスターズ to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
雨の御堂筋 | FeiFei Ou-Yang | F Minor | 5 | 4A | 143 BPM | ||
今でも君を愛してる | Keisuke Kuwata | G Major | 6 | 9B | 110 BPM | ||
Make-up Shadow - Remastered 2018 | Yosui Inoue | F Minor | 9 | 4A | 136 BPM | ||
ハートせつなく | Yuko Hara | D Major | 8 | 10B | 127 BPM | ||
Happy Birthday | サザンオールスターズ | A Major | 9 | 11B | 128 BPM | ||
LOVER'S DAY | Kyosuke Himuro | D Major | 8 | 10B | 112 BPM | ||
バスルームから愛をこめて | Kumiko Yamashita | D♭ Major | 3 | 3B | 82 BPM | ||
はっぴいえんど | サザンオールスターズ | D Major | 8 | 10B | 130 BPM | ||
あなたがいたから僕がいた | Hiromi Go | D♭ Minor | 9 | 12A | 144 BPM | ||
おまえにチェックイン | Kenji Sawada | B♭ Major | 7 | 6B | 169 BPM |
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