Royal Shakespeare Company, Will Gregory, Corin Buckeridge made "End Montage / "Art thou gone so? I do but stay behind"" available on November 17, 2021. With this song being about 5 minutes long, at 4:35, "End Montage / "Art thou gone so? I do but stay behind"" by Royal Shakespeare Company, Will Gregory, Corin Buckeridge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Royal Shakespeare Company, Will Gregory, Corin Buckeridge's "King John: Music & Speeches" album is number 11 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, End Montage / "Art thou gone so? I do but stay behind"'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of End Montage / "Art thou gone so? I do but stay behind" by Royal Shakespeare Company, Will Gregory, Corin Buckeridge to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Oak & The Ivy | Bella Hardy | C Major | 3 | 8B | 80 BPM | ||
Fruit & Flowers | Nik_Poetry | B♭ Minor | 3 | 3A | 71 BPM | ||
Goodbye | Royal Shakespeare Company, Sam Kenyon, Aretha Ayeh | A Major | 1 | 11B | 147 BPM | ||
The Sonnets*: Sonnet 18: Shall I compare thee to a summer's day? | Bertie Carvel, Gunnar Cauthery, Stella Gonet, Alex Jennings, Jonathan Keeble, Anton Lesser, Roy McMillan, Tom Mison, Maxine Peake, Anne-Marie Piazza, Hugh Ross, Benjamin Soames, Juliet Stevenson, David Tennant, David Timson, Trevor White | A♭ Major | 2 | 4B | 72 BPM | ||
Silhouettes of the Interstellar Frontier | Larkin Stormweaver | C Major | 0 | 8B | 140 BPM | ||
And I Love | Dhristian Eigueroa | A Major | 1 | 11B | 111 BPM | ||
King and Country | Paul Englishby, Royal Shakespeare Company | D♭ Minor | 1 | 12A | 85 BPM | ||
"Where the bee sucks" (2000) | Orlando Gough, Royal Shakespeare Company | B♭ Minor | 1 | 3A | 137 BPM | ||
Ecce Quam Bonum / Tell Me Where Is Fancy Bred? (feat. Patsy Ferran) | Marc Tritschler, Luca Bettini, Royal Shakespeare Company, Patsy Ferran | B♭ Major | 1 | 6B | 68 BPM | ||
Little Bo Peep | Little Bo Peep, Wheels on the Bus | C Major | 3 | 8B | 184 BPM |
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