"Fantasia on British Sea Songs" by Sir Henry Wood, Martin Loveday, Nigel Blomiley, Ileana Ruhemann, Linden Harris, Michael Pearce, Simon Gunton, BBC Concert Orchestra, Barry Wordsworth was released on January 1, 1996. Fantasia on British Sea Songs appears to be safe for all ages as it is not explicit. There are a total of 14 in the song's album "The Last Night of the Proms Collection". In this album, this song's track order is #10. Based on our statistics, Fantasia on British Sea Songs's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasia on British Sea Songs by Sir Henry Wood, Martin Loveday, Nigel Blomiley, Ileana Ruhemann, Linden Harris, Michael Pearce, Simon Gunton, BBC Concert Orchestra, Barry Wordsworth having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4: Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti" | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Felicity Palmer, Aldo Baldin, Neil Jenkins, Robert Lloyd, Donald Maxwell, Cathryn Pope, Catherine Denly, John Constable, Ruggero Raimondi | C Major | 3 | 8B | 125 BPM | ||
Sebastian's Summer | Geoffrey Burgon | G Major | 3 | 9B | 111 BPM | ||
Manon Lescaut / Act 1: "Donna non vidi mai" | Giacomo Puccini, BBC Concert Orchestra, Barry Wordsworth | B♭ Major | 3 | 6B | 175 BPM | ||
Isle Of Beauty: I. David Of The White Rock, II. Oft In The Stilly Night | The Band Of The Irish Guards | F Major | 2 | 7B | 69 BPM | ||
Khachaturian: Gayaneh, Suite No. 3: V. Sabre Dance | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | F Minor | 8 | 4A | 94 BPM | ||
Elgar : 5 Pomp And Circumstance Marches : No.1 in D major [Land of Hope and Glory] | Edward Elgar, Last Night Of The Proms - The 100th Season, Andrew Davis, BBC Symphony Orchestra | D Major | 4 | 10B | 126 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Carnival of the Animals: XIII. The Swan | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | G Major | 0 | 9B | 102 BPM | ||
Scottish Rhapsody | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | D♭ Major | 2 | 3B | 142 BPM |
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