"O du mein holder Abendstern, S. 444" by Franz Liszt, Alexis Descharmes, Sébastien Vichard had its release date on December 1, 2007. This song is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The track order of this song in Franz Liszt, Alexis Descharmes's "Liszt: L'Oeuvre Pour Violoncelle - Complete Cello Works" album is number 5 out of 11. On top of that, France appears to be the country where this track was created. The popularity of O du mein holder Abendstern, S. 444 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O du mein holder Abendstern, S. 444 by Franz Liszt, Alexis Descharmes, Sébastien Vichard to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trois pièces: II. Sans vitesse e lʼaise | Nadia Boulanger, Janne Fredens, Søren Rastogi | A Minor | 0 | 8A | 103 BPM | ||
How Fair This Spot, Op. 21 No. 7 (Transcribed for cello and piano) | Dmitri Shostakovich, Boris Andrianov, Rem Urasin | A♭ Major | 1 | 4B | 107 BPM | ||
Spring Song | Frank Bridge, ABRSM, Tim Horton, Gemma Rosefield | G Major | 0 | 9B | 94 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major. Lento, placido | Franz Liszt, Lilya Zilberstein | D♭ Major | 0 | 3B | 60 BPM | ||
ナナ(子守歌) | Manuel de Falla, Yoko Hasegawa | A Minor | 0 | 8A | 90 BPM | ||
Poem in D-Flat Major, Op.39a | Zdeněk Fibich, Oliver Butterworth, John Bingham | D♭ Major | 0 | 3B | 83 BPM | ||
Lieder Ohne Worte, Fünftes Heft, Op. 62 (Arr. for Violin and Piano by Ferdinand David): I. Andante espressivo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Elégie, Op. 24 (Version for Cello and Orchestra) | Gabriel Fauré, Julia Hagen, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
3 Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Koji Morishita | D♭ Major | 1 | 3B | 131 BPM | ||
Zwei Stimmungen, Op. 32: No. 1 in D Minor (Arr. B. A. Smith for Cello & Piano) | Joseph Achron, Brinton Averil Smith, Evelyn Chen | D Minor | 1 | 7A | 89 BPM |