The Sixteen made "Coronation Anthem - The King Shall Rejoice, HWV260: Alleluia" available on February 2, 2009. The duration of Coronation Anthem - The King Shall Rejoice, HWV260: Alleluia is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Coronation Anthem - The King Shall Rejoice, HWV260: Alleluia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Sixteen's "Handel: Coronation Anthems" album is number 14 out of 20. In terms of popularity, Coronation Anthem - The King Shall Rejoice, HWV260: Alleluia is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Coronation Anthem - The King Shall Rejoice, HWV260: Alleluia by The Sixteen to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in D major, Op. 86: 1. Kyrie | Antonín Dvořák, Neil Ritchie, Andrew Giles, Alan Byers, Robert Morton, Christ Church Cathedral Choir, Oxford, Nicholas Cleobury, Simon Preston | D Major | 1 | 10B | 79 BPM | ||
Musicalische Exequien, SWV 279: Concert in Form einer teutschen Begräbnis-Missa: Nacket bin ich | Heinrich Schütz, Vox Luminis, Lionel Meunier | E Minor | 0 | 9A | 115 BPM | ||
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
O Mors Illa | Girolamo Frescobaldi, Adrian Lucas, George Guest | G Minor | 1 | 6A | 81 BPM | ||
The Sweetheart of the Sun | Eric William Barnum, Choral Arts, Robert Bode | D Major | 1 | 10B | 74 BPM | ||
Christus resurgens | Peter Philips, Sarum Consort, Andrew Mackay | B Major | 1 | 1B | 97 BPM | ||
Burial Sentences: I. I Am The Resurrection | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | D Minor | 1 | 7A | 75 BPM | ||
Cantata IV: Ad latus (To the Side): Hora mortis - Soprano 2 | The Sixteen | D♭ Minor | 0 | 12A | 42 BPM | ||
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 76 BPM |
Section: 0.5721719264984131
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