François-Adrien Boieldieu, Nicanor Zabaleta, Deutsches Symphonie-Orchester Berlin, Ernst Märzendorfer's 'Concerto for Harp and Orchestra in C: 3. Rondeau (Allegro agitato)' came out on January 1, 1999. Since Concerto for Harp and Orchestra in C: 3. Rondeau (Allegro agitato) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 11 in Boieldieu / Saint-Saëns / Tailleferre / Ravel: Harp Concertos by Nicanor Zabaleta, Deutsches Symphonie-Orchester Berlin, Ernst Märzendorfer, Orchestre National de l'O.R.T.F., Jean Martinon. In terms of popularity, Concerto for Harp and Orchestra in C: 3. Rondeau (Allegro agitato) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto for Harp and Orchestra in C: 3. Rondeau (Allegro agitato) by François-Adrien Boieldieu, Nicanor Zabaleta, Deutsches Symphonie-Orchester Berlin, Ernst Märzendorfer is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria (Air on the G-String) | Johann Sebastian Bach, Leopold Stokowski | D Major | 1 | 10B | 47 BPM | ||
Danse macabre, Op. 40, R. 171 | Camille Saint-Saëns, Luben Yordanoff, Orchestre de Paris, Daniel Barenboim | G Minor | 2 | 6A | 112 BPM | ||
Piano Sonata in C Major, Op. 2, No. 3: II. Menuetto. Presto | François-Adrien Boieldieu, Hans Kann | G Minor | 0 | 6A | 72 BPM | ||
Piano Concerto in F Major: II. Pastorale con variazioni | François-Adrien Boieldieu, Natasa Veljkovic, Orchestra della Svizzera Italiana, Howard Griffiths | F Major | 2 | 7B | 167 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
España: Espana | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Herve Niquet | F Major | 3 | 7B | 117 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
"Dance Of The Hours" from La Gioconda | London Symphony Orchestra | D♭ Minor | 1 | 12A | 84 BPM |
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