- BPM
- 67
- Key
- F♯ Major
- Camelot
- 2B
D'un cahier d'esquisses, L. 99 - Claude Debussy, Zoltán Kocsis Information
- Acousticness
- 100%
- Danceability
- 34%
- Energy
- 0%
- Instrumentalness
- 91%
- Liveness
- 11%
- Loudness
- 51%
- Speechiness
- 7%
- Valence
- 4%
- Popularity
- 3%
- Loudness
- -29.176 dB
Summary
"D'un cahier d'esquisses, L. 99" by Claude Debussy, Zoltán Kocsis had its release date on January 1, 1990. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 14 in Debussy: Images Books 1 & 2/Arabesques/Rêverie etc. by Claude Debussy, Zoltán Kocsis. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. D'un cahier d'esquisses, L. 99 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
D'un cahier d'esquisses, L. 99 BPM
The tempo marking of D'un cahier d'esquisses, L. 99 by Claude Debussy, Zoltán Kocsis is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D'un cahier d'esquisses, L. 99 Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM | |
 | 6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6 | Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos Balint | F Minor | 0 | 4A | 71 BPM | |
 | Piano Concerto in E, Op. 59: II. Andante | Moritz Moszkowski, Joseph Moog, Nicholas Milton, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern | D♭ Minor | 0 | 12A | 87 BPM | |
 | Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | |
 | Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | |
 | Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | |
 | Adoration (Version for Solo Violin and String Orchestra) | Florence Beatrice Price, Daniel Hope, Zürcher Kammerorchester | D Major | 1 | 10B | 80 BPM | |
 | Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | |
 | The Swan | Camille Saint-Saëns, Sebastian Comberti, Miriam Keogh | G Major | 1 | 9B | 123 BPM | |
 | 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM |
- ISRC
- NLA508804507
- Label
- L-M Records/RCA Records