Die Schöpfung, Hob.XXI:2, Part 2: No. 16, Rezitativ "Und Gott schuf große Walfische" (Raphael)
Joseph Haydn, René Jacobs, Johannes Weisser, Freiburger Barockorchester
Haydn: Die Schöpfung (The Creation)
1:56 October 6, 2009
BPM
125
Key
F Major
Camelot
7B

Embed

Share Link

Die Schöpfung, Hob.XXI:2, Part 2: No. 16, Rezitativ "Und Gott schuf große Walfische" (Raphael) - Joseph Haydn, René Jacobs, Johannes Weisser, Freiburger Barockorchester Information

Acousticness
92%
Danceability
43%
Energy
16%
Instrumentalness
0%
Liveness
41%
Loudness
65%
Speechiness
14%
Valence
16%
Popularity
Loudness
-20.956 dB

Summary

"Die Schöpfung, Hob.XXI:2, Part 2: No. 16, Rezitativ "Und Gott schuf große Walfische" (Raphael)" by Joseph Haydn, René Jacobs, Johannes Weisser, Freiburger Barockorchester was released on October 6, 2009. With Die Schöpfung, Hob.XXI:2, Part 2: No. 16, Rezitativ "Und Gott schuf große Walfische" (Raphael) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joseph Haydn, Freiburger Barockorchester, René Jacobs, RIAS Kammerchor, Maximilian Schmitt, Julia Kleiter, Johannes Weisser's "Haydn: Die Schöpfung (The Creation)" album is number 17 out of 32. On top of that, France appears to be the country where this track was created. Based on our statistics, Die Schöpfung, Hob.XXI:2, Part 2: No. 16, Rezitativ "Und Gott schuf große Walfische" (Raphael)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Die Schöpfung, Hob.XXI:2, Part 2: No. 16, Rezitativ "Und Gott schuf große Walfische" (Raphael) BPM

We consider the tempo marking of Die Schöpfung, Hob.XXI:2, Part 2: No. 16, Rezitativ "Und Gott schuf große Walfische" (Raphael) by Joseph Haydn, René Jacobs, Johannes Weisser, Freiburger Barockorchester to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Die Schöpfung, Hob.XXI:2, Part 2: No. 16, Rezitativ "Und Gott schuf große Walfische" (Raphael) Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony in D Major, Op. 3, No. 2: II. Andantino by Johann Stamitz, New Zealand Chamber Orchestra, Donald ArmstrongSymphony in D Major, Op. 3, No. 2: II. AndantinoJohann Stamitz, New Zealand Chamber Orchestra, Donald ArmstrongG Major09B113 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) by Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisOboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisA Minor18A79 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: I. - AllegroCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachC Minor45A106 BPM
String Quartet in D Minor, Op. posth. D.810 String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro moltoFranz Schubert, Jerusalem QuartetA Major111B139 BPM
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 by Carl Maria von Weber, Michael Endres7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2Carl Maria von Weber, Michael EndresC Major18B95 BPM
Sonata in G Major, KK. 455 by Domenico Scarlatti, Yuja WangSonata in G Major, KK. 455Domenico Scarlatti, Yuja WangG Major19B139 BPM
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio by Franz Schubert, Alexandre Tharaud, Jean-Guihen QueyrasSonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. AdagioFranz Schubert, Alexandre Tharaud, Jean-Guihen QueyrasE Major012B91 BPM
Symphony in A Major, Op. 24 No. 2, P. I:7: I. Allegro moderato by Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek ŠtilecSymphony in A Major, Op. 24 No. 2, P. I:7: I. Allegro moderatoLeopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek ŠtilecA Major211B145 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo by Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : III. LargoArcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella IstropolitanaD Major110B78 BPM
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze by Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraKorngold: Violin Concerto in D Major, Op. 35: II. RomanzeErich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraC Major08B97 BPM
ISRC
FRZ140901170
Label
L-M Records/RCA Records

Section: 0.7474734783172607

End: 0.7513720989227295