"La Bayadere, Act I, Scene 2: 20. "Pantomime - Gamzatti and Nikiya"" by Evergreen Symphony Orchestra, Kevin Galiè was released on February 26, 2018. With La Bayadere, Act I, Scene 2: 20. "Pantomime - Gamzatti and Nikiya" being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 20 out of 53. In terms of popularity, La Bayadere, Act I, Scene 2: 20. "Pantomime - Gamzatti and Nikiya" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere, Act I, Scene 2: 20. "Pantomime - Gamzatti and Nikiya" by Evergreen Symphony Orchestra, Kevin Galiè to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4: III. Menuetto. Allegro | Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss | B Minor | 2 | 10A | 113 BPM | ||
Sinfonia in E-Flat Major, "con Eco": III. Menuetto | Theodor, Freiherr von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | B Minor | 2 | 10A | 113 BPM | ||
Sinfonia in B-Flat Major: II. Andante | Theodor von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | B Major | 0 | 1B | 70 BPM | ||
Don Quixote: Act III: Entree | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 94 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 14 (orch. Parlow) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | A Minor | 2 | 8A | 107 BPM | ||
Symphony No.4 in D Minor, Op.13, B.41: 4. Finale (Allegro con brio) | Antonín Dvořák, London Symphony Orchestra, István Kertész | G Major | 2 | 9B | 76 BPM | ||
Hungarian Dance No.10 in F - Orchestrated by Brahms | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Minor | 2 | 4A | 137 BPM | ||
Symphony No. 1 in D Minor, Op. 13: II. Allegro animato | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 0 | 7B | 111 BPM | ||
Sinfonia in C Major: I. Un poco grave - Allegro | Theodor, Freiherr von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | C Major | 2 | 8B | 145 BPM | ||
La Bayadere, Act II: 36. "Variations Nikiya; Snake, and Finale" | Evergreen Symphony Orchestra, Kevin Galiè | C Major | 2 | 8B | 135 BPM |
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