"Barefoot Songs: No. 1, Visa i sorgton" by Allan Pettersson, Peter Mattei, Bengt-Åke Lundin was released on April 1, 2022. The duration of Barefoot Songs: No. 1, Visa i sorgton is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Barefoot Songs: No. 1, Visa i sorgton's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Pettersson: Barfotasånger". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Barefoot Songs: No. 1, Visa i sorgton's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Barefoot Songs: No. 1, Visa i sorgton by Allan Pettersson, Peter Mattei, Bengt-Åke Lundin having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Symphony No. 3, Op. 27, FS 60 "Sinfonia espansiva": II. Andante pastorale | Carl Nielsen, Lina Johnson, Yngve Søberg, Bergen Philharmonic Orchestra, Edward Gardner | F♯ Major | 1 | 2B | 81 BPM | ||
Violin Concerto in D Major, K. 053: I. Toccata. Tempo crotchet = 96 | Igor Stravinsky, James Ehnes, BBC Philharmonic, Andrew Davis | D Major | 2 | 10B | 120 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: VIII. Auf blumige Wiesen. Sehr lebhaft | Richard Strauss, Vasily Petrenko, Oslo Philharmonic Orchestra | F♯ Major | 1 | 2B | 74 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
6 Sanger (Arr. for Voice, String Orchestra & Harp): No. 2, En visa i ensamhet | Allan Pettersson, Jakob Höström, Musica Vitae, Ensemble SYD, Marie Aström, Daniel Hansson | F♯ Minor | 1 | 11A | 88 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | G Major | 2 | 9B | 90 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM |
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