Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 34.2 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being about 5 minutes long, at 4:55, "Kapitel 34.2 - Wie Google tickt - How Google Works" by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #71 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 34.2 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 34.2 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Kapitel 34.2 - Wie Google tickt - How Google Works being at 64 BPM, the half-time would be 32 BPM with a double-time of 128 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Förklädd gud, Op. 24: Vem spelar på en pipa en låt av gryningsluft … (Chorus) | Mark Levengood, Charlotta Larsson, Gunnar Birgersson, Enskede Kammarkor, Swedish Radio Symphony Orchestra, Eva Karpe | G Major | 1 | 9B | 135 BPM | ||
Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Mulier, ecce filius tuus | César Franck, Chor Der Philharmonie Schwäbisch Gmünd, Edith Wiens, Hubert Beck, Ivo Ingram, Philharmonie Schwäbisch Gmünd, Raimundo Mettre, Thomas Pfeiffer | F Major | 1 | 7B | 75 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: Then said they to Chibiabos | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | B♭ Minor | 2 | 3A | 63 BPM | ||
Thoughts | Peter Deunov, Monte-Carlo Philharmonic Orchestra | C Major | 3 | 8B | 89 BPM | ||
Kapitel 36.3 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | B Minor | 2 | 10A | 127 BPM | ||
Miserere (salmo 50) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
A Child of our Time, Part III: A Spiritual. Deep river (Soloists, Chorus) | Michael Tippett, Pumeza Matshikiza, Sarah Connolly, Joshua Stewart, Ashley Riches, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Major | 1 | 12B | 59 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Miserere, ZWV 57: V. Sicut erat et Miserere III | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | F♯ Minor | 3 | 11A | 77 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act 3: Recitativo. "E pur così in un giorno" - Aria. "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Kathleen Battle, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 0 | 6B | 134 BPM |
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