Franz Joseph Haydn, Sylvia McNair, English Baroque Soloists, John Eliot Gardiner made "Die Schöpfung, Hob. XXI:2 / Erster Teil: No. 8 Rezitativ: "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel)" available on May 1, 2021. With Die Schöpfung, Hob. XXI:2 / Erster Teil: No. 8 Rezitativ: "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 141 in the song's album "Simply Haydn". In this album, this song's track order is #22. Based on our statistics, Die Schöpfung, Hob. XXI:2 / Erster Teil: No. 8 Rezitativ: "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Die Schöpfung, Hob. XXI:2 / Erster Teil: No. 8 Rezitativ: "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel) by Franz Joseph Haydn, Sylvia McNair, English Baroque Soloists, John Eliot Gardiner having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 3, Nicht schnell | Robert Schumann, Albrecht Mayer, Markus Becker | A Minor | 0 | 8A | 169 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Die Jahreszeiten (The Seasons), Hob.XXI:3: Der Fruhling (Spring): Introduction and Recitative: Seht, wie der strenge Winter (Simon, Lukas, Hanne) | Joseph Haydn, Sibylla Rubens, Andreas Karasiak, Stephan MacLeod, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E♭ Major | 1 | 5B | 117 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 12 | Lang Lang | C Major | 2 | 8B | 137 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: III. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 4 | 12B | 151 BPM | ||
Piano Trio No. 6 in E-Flat Major, Op. 93: II. Un poco larghetto | Johann Nepomuk Hummel, Gould Piano Trio | B Major | 0 | 1B | 79 BPM | ||
Clarinet Concerto No. 2 in E flat major Op.74: III: Alla polacca | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Major | 0 | 7B | 93 BPM | ||
String Octet in E-Flat Major, Op. 20, MWV R20: III. Scherzo: Allegro leggierissimo | Felix Mendelssohn, Kodály Quartet, Auer String Quartet | A Minor | 0 | 8A | 168 BPM |
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