Janie Dee, National Symphony Orchestra made "Alas, out in the Suburbs..." available on December 7, 2010. With Alas, out in the Suburbs... being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 51 in the song's album "The Dancing Years (All Star 2010 Studio Cast, First Complete Recording)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Alas, out in the Suburbs... is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Alas, out in the Suburbs... by Janie Dee, National Symphony Orchestra having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Far from the Home I Love | Samantha Massell | C Major | 2 | 8B | 93 BPM | ||
Typical Girls Next Door | Emily Padgett, Erin Davie | D♭ Major | 4 | 3B | 139 BPM | ||
The Little Things You Do Together - Live | Rob Brydon, Haydn Gwynne | F♯ Major | 3 | 2B | 137 BPM | ||
Prologue | Christopher Luscombe, Janie Dee, Susie Blake, The Royal Shakespeare Company | B Major | 3 | 1B | 82 BPM | ||
The Crime of the Century | Lynnette Perry, Steven Sutcliffe, Conrad McLaren, Mike O'Carroll, Ragtime Ensemble | E♭ Major | 5 | 5B | 142 BPM | ||
Queenie Was a Blonde | Julia Murney, Brian D'Arcy James, The Wild Party Ensemble | C Minor | 6 | 5A | 127 BPM | ||
Someone Is Waiting | Rosalie Craig | B Minor | 1 | 10A | 88 BPM | ||
Behind the Red Door | Christine Ebersole, War Paint Original Broadway Ensemble | G Minor | 4 | 6A | 132 BPM | ||
Take It On The Chin - Original Cast Recording/1986 | Maryann Plunkett | D Major | 1 | 10B | 80 BPM | ||
No More Candy | Laura Benanti | A♭ Major | 2 | 4B | 94 BPM |
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