"Los seys libros del Delphín - Libro 6: No. 42. Veintidós diferencias de "Conde Claros". Sesto tono" by Luis de Narváez, Toyohiko Satoh was released on January 1, 2006. With this song being about 5 minutes long, at 4:58, "Los seys libros del Delphín - Libro 6: No. 42. Veintidós diferencias de "Conde Claros". Sesto tono" by Luis de Narváez, Toyohiko Satoh is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "The Art of Spanish Variations". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. Los seys libros del Delphín - Libro 6: No. 42. Veintidós diferencias de "Conde Claros". Sesto tono is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Los seys libros del Delphín - Libro 6: No. 42. Veintidós diferencias de "Conde Claros". Sesto tono by Luis de Narváez, Toyohiko Satoh having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'amant content: Canarie | Francesca Torelli, Charles Mouton | F♯ Minor | 0 | 11A | 109 BPM | ||
The Lady of Sussex Delight | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM | ||
Donna, quando pietosa / El travagliato / La gamba in basso e soprano / Amor è foco e ghiaccio | Jacques Arcadelt, Vincenzo Ruffo, Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken | E♭ Minor | 0 | 2A | 82 BPM | ||
Suite in G Minor from Ms. Lobkowicz: VII. Canarie | Charles Mouton, Anders Ericson | F♯ Minor | 1 | 11A | 0 BPM | ||
Ballo francese | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | C Major | 0 | 8B | 87 BPM | ||
22 Diferencias de “Conde Claros” | Simon Dinnigan, Luis de Narváez | G Major | 1 | 9B | 104 BPM | ||
Branles de village | Robert Ballard, Ronn McFarlane | E♭ Major | 1 | 5B | 81 BPM | ||
Toccata cromatica XII | Alessandro Piccinini, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
Armoniosi toni di varie suonate musicali, Op. 7: Tocatta | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | A♭ Minor | 0 | 1A | 135 BPM | ||
Suite in A Minor: IV. Sarabande | Françoise Dufaut, Lutz Kirchhof | D♭ Major | 1 | 3B | 92 BPM |
Section: 0.5976104736328125
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