Tom Davoren, Steven Mead, Matty Cilissen, The Royal Band of the Belgian Air Force's 'Rituals' came out on May 1, 2019. Since Rituals is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Pulse". In this album, this song's track order is #8. Rituals is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rituals by Tom Davoren, Steven Mead, Matty Cilissen, The Royal Band of the Belgian Air Force having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symfonietta, JW VI/18: I. Allegretto | Leoš Janáček, Prague Radio Symphony Orchestra, Tomáš Netopil | D♭ Major | 3 | 3B | 62 BPM | ||
Dark Eyes | Black Dyke Band | B♭ Major | 3 | 6B | 121 BPM | ||
Excerpts from Dreigroschenoper: Ouverture I | Kurt Weill, Christian Lindberg, Prince of Denmark Air Force Band | B Major | 1 | 1B | 114 BPM | ||
Suite, Op. 54: Andantino cantabile | Ladislav Aloys, Deutsches Horn Ensemble | G Major | 0 | 9B | 93 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Potential Breakup Song | University of Michigan Marching Band | A♭ Major | 3 | 4B | 158 BPM | ||
Symphony No. 8: Finale | Jessica Buzbee, David Bobroff, Lee Rogers, Timothy Buzbee | A♭ Major | 0 | 4B | 85 BPM | ||
Scherzo | John Cheetham, Quintetto Inflagranti | F Major | 0 | 7B | 151 BPM | ||
栄光の全てに | James Swearingen, フィルハーモニック・ウインズ 大阪 | E♭ Major | 2 | 5B | 62 BPM | ||
Turandot: Nessun dorma | Giacomo Puccini, Szeged Trombone Ensemble, György Gyivicsan, Peter Steiner | B Major | 0 | 1B | 109 BPM |
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