On January 1, 1997, the song "Acis And Galatea, HWV 49 / Act 2: "O ruddier than the cherry"" was released by George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras. The duration of Acis And Galatea, HWV 49 / Act 2: "O ruddier than the cherry" is about 3 minutes long, at 3:01. Based on our data, "Acis And Galatea, HWV 49 / Act 2: "O ruddier than the cherry"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras's "Handel: Arias" album is number 10 out of 20. In terms of popularity, Acis And Galatea, HWV 49 / Act 2: "O ruddier than the cherry" is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Acis And Galatea, HWV 49 / Act 2: "O ruddier than the cherry" by George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Concerto Grosso in A Minor, Op. 3/6, RV 356: I. Allegro | Antonio Vivaldi, Simon Standage, The English Concert, Trevor Pinnock | A♭ Minor | 2 | 1A | 109 BPM | ||
Tambourin | Jean-Philippe Rameau, Víkingur Ólafsson | E Minor | 3 | 9A | 148 BPM | ||
Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
Overture (Suite) in B-Flat Major, TWV 55:B2: Aria IV: Sarabande | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | A Major | 1 | 11B | 98 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM |
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