"7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation VI. Adagio" by Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda was released on May 1, 2021. The duration of 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation VI. Adagio is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation VI. Adagio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 153 in the song's album "Simply Beethoven". In this album, this song's track order is #10. Based on our statistics, 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation VI. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation VI. Adagio by Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Sonata No. 13, Hob. XVI:6: Sonata No. 13, Hob. XVI:6: III. Adagio | Franz Joseph Haydn, Jean-Efflam Bavouzet | G Minor | 0 | 6A | 74 BPM | ||
Minuet No. 1 in G Major (Formerly Attrib. J.S. Bach as BWV Anh. 114) | Lang Lang | G Major | 1 | 9B | 119 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "Ode to Joy" | Ludwig van Beethoven, London Philharmonic Choir, The London Chorus, David Parry, London Philharmonic Orchestra | D Major | 6 | 10B | 76 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Beethoven: Piano Quartets, WoO 36, No. 3 in C Major: I. Allegro vivace (Live) | Ludwig van Beethoven, Renaud Capuçon, Lida Chen, Gautier Capuçon, Martha Argerich | C Major | 2 | 8B | 78 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM |
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