- BPM
- 153
- Key
- E Minor
- Camelot
- 9A
Falling - Meredith Monk Information
- Acousticness
- 99%
- Danceability
- 19%
- Energy
- 19%
- Instrumentalness
- 0%
- Liveness
- 36%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 9%
- Popularity
- 5%
- Loudness
- -18.961 dB
Summary
"Falling" by Meredith Monk was released on May 13, 2011. The duration of Falling is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Falling's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Songs Of Ascension". In this album, this song's track order is #10. Based on our statistics, Falling's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Falling BPM
With Falling by Meredith Monk having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 5/4.
Falling Key
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Shaker Loops (version for string orchestra): A Final Shaking | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 78 BPM | |
 | Love In The Afternoon | Balanescu Quartet | F Major | 2 | 7B | 173 BPM | |
 | From the Invisible to the Visible | Shara Worden, Nadia Sirota, James McVinnie, Daníel Bjarnason, Frank Aarnink, Valgeir Sigurðsson, Paul Evans, Missy Mazzoli, Paul Corley | C Minor | 1 | 5A | 73 BPM | |
 | Water/Sky Rant | Meredith Monk | A Minor | 1 | 8A | 173 BPM | |
 | Deep Hockets | Stuart Dempster, Pauline Oliveros, David Gamper, Deep Listening Band | D Minor | 1 | 7A | 89 BPM | |
 | Window In 7's | Meredith Monk, Bruce Brubaker | A Minor | 2 | 8A | 80 BPM | |
 | Komorebi | Mikko Perkola, Aino Peltomaa, Harmen Fraanje | G Minor | 1 | 6A | 98 BPM | |
 | ...quasi una fantasia..., Op. 27/1: Introduzione | György Kurtág, Tamara Stefanovich, Asko Schönberg, Reinbert de Leeuw | D♭ Major | 0 | 3B | 0 BPM | |
 | Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | |
 | Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo | Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman | B♭ Minor | 1 | 3A | 70 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5264532566070557
End: 0.5308365821838379