Album for the Young, Op. 39: No. 17. German Song (Chanson allemande) - Pyotr Ilyich Tchaikovsky, Luba Edlina Information

Acousticness: 89%
Danceability: 15%
Energy: 0%
Instrumentalness: 73%
Liveness: 9%
Loudness: 32%
Speechiness: 5%
Valence: 3%
Popularity: 4%
Loudness: -40.784 dB

Summary

"Album for the Young, Op. 39: No. 17. German Song (Chanson allemande)" by Pyotr Ilyich Tchaikovsky, Luba Edlina was released on May 1, 1985. With Album for the Young, Op. 39: No. 17. German Song (Chanson allemande) being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Tchaikovsky: Album for the Young, Op. 39". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Album for the Young, Op. 39: No. 17. German Song (Chanson allemande)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Album for the Young, Op. 39: No. 17. German Song (Chanson allemande) BPM

With Album for the Young, Op. 39: No. 17. German Song (Chanson allemande) by Pyotr Ilyich Tchaikovsky, Luba Edlina having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.

Album for the Young, Op. 39: No. 17. German Song (Chanson allemande) Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling)	Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar	G Minor	1	6A	144 BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	C Major	1	8B	96 BPM
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major	Frédéric Chopin, Idil Biret	A♭ Major	0	4B	74 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Major	0	10B	127 BPM
Lyric Pieces, Book 1, Op. 12: I. Arietta	Edvard Grieg, Javier Perianes	B♭ Major	0	6B	72 BPM
Rage Over A Lost Penny, Op. 129	Valentina Lisitsa	G Major	2	9B	80 BPM
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro	Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra	F Major	1	7B	113 BPM
Six Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di Valse	Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev	D♭ Major	1	3B	108 BPM
Le roi s'amuse: Final	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	A Minor	1	8A	94 BPM
Rhapsodie Orientale, Op. 29: 1. Andante	Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	0	3B	89 BPM

ISRC: GBLWD8505517
Label: L-M Records/RCA Records

Section: 0.8226943016052246

End: 0.8278825283050537