"Arrive To Lab" by Gustavo Santaolalla was released on November 5, 2021. The duration of Arrive To Lab is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Arrive To Lab's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 21 in Finch (Soundtrack from the Apple Original Film) by Camille Berthollet, Julie Berthollet, Ernst van Tiel, Orchestre national d'île-de-France, Toby Young, Apollo5, William Ryan Fritch, Pyotr Ilyich Tchaikovsky, Esther Abrami, Iyad Sughayer, Astor Piazzolla, 宮田 大, Gustavo Santaolalla. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Arrive To Lab is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Arrive To Lab by Gustavo Santaolalla is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
What Might Have Been | Francis Wells | D♭ Major | 4 | 3B | 150 BPM | ||
Sato | Danny Bensi and Saunder Jurriaans | D Major | 2 | 10B | 146 BPM | ||
Limited Casualties | Thomas Newman | D Minor | 0 | 7A | 120 BPM | ||
World Trade Center Choral Piece | Craig Armstrong, Susie Stevens Logan, Pete Anthony, The Hollywood Studio Symphony | D Major | 0 | 10B | 72 BPM | ||
And At This Frequency | Max Richter | F♯ Minor | 1 | 11A | 174 BPM | ||
Rising | Morgan Kibby | C Major | 1 | 8B | 97 BPM | ||
Stand Up (The Chicago 7) | Daniel Pemberton | D♭ Major | 3 | 3B | 79 BPM | ||
Blackbird | Peter Gregson | B Minor | 2 | 10A | 95 BPM | ||
Eye for an Eye | Mac Quayle | A Major | 1 | 11B | 92 BPM | ||
Monument to love | John Lunn, The Chamber Orchestra Of London | B Minor | 2 | 10A | 91 BPM |
Section: 0.5071420669555664
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