Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle made "Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 2, March" available on October 11, 2010. The duration of Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 2, March is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 2, March's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Tchaikovsky: The Nutcracker". In this album, this song's track order is #3. Based on our statistics, Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 2, March's popularity is fairly popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 2, March by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major | Franz Liszt, Jenő Jandó | A♭ Major | 0 | 4B | 60 BPM | ||
3 Small Tone Poems: No. 2. Winter Night, "Sleigh Ride" | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 92 BPM | ||
Fröhliche Weihnacht überall - Instrumental | Christoph Israel, Swonderful Orchestra, Catherine Larsen-Maguire | F Major | 2 | 7B | 123 BPM | ||
Symphony No. 6 ("Pastoral"), Op. 68, I Allegro ma non troppo | Leopold Stokowski, Philadelphia Orchestra | F Major | 0 | 7B | 108 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": V. Allegro | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | G Minor | 1 | 6A | 116 BPM | ||
It's Beginning to Look a Lot Like Christmas (with Mitchell Ayres & His Orchestra) | Perry Como, The Fontane Sisters, Mitchell Ayres & His Orchestra | E Major | 3 | 12B | 95 BPM | ||
Main Title "Somewhere in My Memory" (From "Home Alone") - Voice | John Williams, Boston Pops Orchestra | D Major | 1 | 10B | 101 BPM | ||
Act II: Sugarplum Fairy | Pyotr Ilyich Tchaikovsky, George Balanchine's The Nutcracker, David Zinman, New York City Ballet Orchestra | E Minor | 0 | 9A | 125 BPM | ||
We Wish You a Merry Christmas | Piano Hands, James Morgan, Juliette Pochin | E♭ Minor | 0 | 2A | 101 BPM | ||
Plink, Plank, Plunk! | Leroy Anderson, BBC Concert Orchestra, Leonard Slatkin | G Major | 0 | 9B | 161 BPM |
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