Wesley: Let Earth and Heaven Agree (Millennium) - 3. Jesus, Harmonious Name! - Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir Information

Acousticness: 99%
Danceability: 22%
Energy: 14%
Instrumentalness: 0%
Liveness: 44%
Loudness: 61%
Speechiness: 4%
Valence: 52%
Popularity: 3%
Loudness: -23.302 dB

Summary

Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir made "Wesley: Let Earth and Heaven Agree (Millennium) - 3. Jesus, Harmonious Name!" available on January 1, 1985. With Wesley: Let Earth and Heaven Agree (Millennium) - 3. Jesus, Harmonious Name! being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 79 out of 89 in Charles Wesley - 20 Favourite Hymns by Methodist Central Hall Choir, Westminster, John Chapman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Wesley: Let Earth and Heaven Agree (Millennium) - 3. Jesus, Harmonious Name!'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Wesley: Let Earth and Heaven Agree (Millennium) - 3. Jesus, Harmonious Name! BPM

The tempo marking of Wesley: Let Earth and Heaven Agree (Millennium) - 3. Jesus, Harmonious Name! by Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Wesley: Let Earth and Heaven Agree (Millennium) - 3. Jesus, Harmonious Name! Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Gott des Himmels "May the Grace of Christ Our Savior"	Heinrich Albert, Norwich Cathedral Choir, Katherine Dienes-Williams, David Dunnett	A Major	1	11B	171 BPM
Merton College Service (2013): I. Magnificat	Ēriks Ešenvalds, Stephen Layton, The Choir Of Trinity College, Cambridge	C Minor	1	5A	176 BPM
I Hear Your Voice SHZ 410	Laestadian Lutheran Church, Benjamin Huhta, Paul Huhta, Kaitlyn Huhta	D Major	2	10B	77 BPM
Chorus - When o'er the steep of Olivet	J H Maunder, The Oratory Singers, Peter Litman	A Major	2	11B	69 BPM
Salzburg "At the Lamb's High Feast We Sing"	Jakob Hintze, The Chapel Choir of Marlborough College, Ian Crabbe, Robin Nelson	D Major	2	10B	92 BPM
Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 1. Lo! He Comes with Clouds Descending	Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir	G Major	1	9B	131 BPM
Psalm 3: Lord, How They Have Increased Who Trouble Me!	David R. Erb	A Major	4	11B	140 BPM
When I Survey	The Coventry Singers	E♭ Major	2	5B	91 BPM
Sing and Rejoice	The International Staff Songsters of the Salvation Army	C Major	3	8B	161 BPM
My God, How Endless	Lyle Stutzman, Tapestry Chamber Singers	A Minor	2	8A	95 BPM

ISRC: GBADL8582879
Label: L-M Records/RCA Records

Section: 0.5290098190307617

End: 0.5330166816711426